Martes, Hunyo 30, 2020

FIDES CUYUGAN ASENSIO written by Roland Raymond Roldan August 14, 2015 (commissioned by the Cultural Center of the Philippines)

FIDES CUYUGAN-ASENSIO


Fides Cuyugan-Asensio, or Tita Fides to her students, is one of the Philippines' prolific sopranos for more than half a century, her name synonymous to opera in the national consciousness. As singer, actress, producer, librettist and pedagogue--these facets bring to us a woman that is unique among her peers, an inspiration to those who have known her, and a fount of tremendous artistic contributions that Philippine music theatre will yet see in years to come. 


Fides, born in Lucena on August 1, 1931, is the youngest of four children. As a young girl, she showed interest in writing plays and aptitude in music. Jovita Fuentes being one of her earliest voice teachers, later tutored by Felicing Tirona, she was chosen as scholar by Lucresia Kasilag, earning her Bachelor of Arts major in English, and Bachelor of Music major in Voice at the Philippine Women's University. She continued to pursue further studies at the prestigious Curtis Institute of Music in Philadelphia, USA--the first Filipina to do so. 


Upon graduation, Fides opted to return to the Philippines and devote her energies to the propagation of opera and music theatre. As coloratura soprano, she excelled in the lead roles of Lucia di Lamermoor, Abduction from the Seraglio, La Traviata, Die Fliedermaus, Hansel and Gretel, The Telephone, L'Enfant Prodigue, Turn of the Screw, Marriage of Figaro, Il Segreto di Susanna, and Saint of Bleecker Street, while equally immersing in Filipino theatrical works, giving life to the lead female roles of Walang Sugat, Minda Mora, Ana Maria, Mapulang Bituin, Binhi ng Kalayaan, Dularawan, Lapu-lapu, La Loba Negra, Mayo Bisperas ng Liwanag and Noli Me Tangere


Delving into television, unheard of for opera singers during her day, she was the first cross-over artist, hosting and directing Sunday, Sweet Sunday, a show dedicated in the performance of opera and Broadway musical excerpts from 1969 to 1974. She resumed hosting duties to A Little Night of Music, which launched singers of various genres, from 1989 to 2001, earning her Best TV Musical Show Host in the 1994 Star Awards by the Philippine Movie Press Club.  As a movie actress, she portrayed various characterizations in Mana (2014), Aparisyon (2012), Nino (2012) and Oro, Plata, Mata (1982).


As stage director, Fides completed productions of Hansel and Gretel, La Serva Perdona, Tales of Hoffman, Secret of Suzanne, L'Enfant Prodigue, Down in the Valley, Aloyan, Larawan ng Himagsikan, Rebecca, Romeo and Juliet and Don Giovanni, passing on her passion, knowledge and experience to students and professionals alike.


As President and Artistic Director of the Music Theater Foundation Philippines, as well as its counterpart Music Theater Foundation Philippines, USA, she continues to support emerging opera artists and advocate the production of Filipino operas and musicals in the country and abroad. As librettist, she immerses herself in the creation of Filipino theatrical works, with Larawan at Kababaihan: Mukha at Maskara and Why Flowers Bloom in May by Lucrecia Kasilag; Spoliarium by Ryan Cayabyab; Mayo Bisperas ng Liwanag by Rey Paguio; Song of Joseph and Legend of M: Marya Makiling at Mga Nuno sa Punso by Raymond and Jeannelle Roldan; and La Loba Negra, by Francisco Feliciano. 


Most of all, Fides is a voice teacher par excellence, sharing her passion to an impressive roster of students that give remarkable contributions in the field of opera and music theatre.  Among them are Margarita Yulo-Gomez, Camille Lopez-Molina, Andion Fernandez, Johanna Cabili, Lorna Llames, Rica Nepomuceno, Lena McKenzie, Lemuel Cuento, Jonathan Badon, Nazer Salcedo, Marvin Gayramon, Emily Britanico-Morales, Luz Tolentino, Tricia Amper-Jimenez, Karla Gutierrez, Ana Feleo, Lara Maigue, Kitchy Molina and Alegria Ferrer.


A Professor Emeritus and former Voice and Music Theatre and Dance Department Chair of the University of the Philippines College of Music, Fides is also a faculty member of her alma mater, the Philippine Women's University, which awarded her a Doctorate in Humanities, honoris causa


Fides is likewise the recipient of the Lifetime Achievement Award, for Noli Me Tangere given by Honorary Chairman Loida Nicolas Lewis in 2014; the Gawad Buhay Award, by Philstage in 2013; for Best Musical Production of Spoliarium in the 2003 Aliw Awards; Gawad Siglo ng Aliw, 1999 Aliw Awards; Most Outstanding Alumna, Philippine Women's University in 1969, and the Asia Opera Award, Seoul, South Korea in 1990 and 1993.


Well into her eighties, Fides shows no signs of slowing down. She has recently started a series of lecture concerts called Voices, intended to raise awareness in vocal categories of performing artists to national audiences, as well as actively assisting a new production of Spoliarium to be performed in the United States, while initiating plans to resume Song of Joseph in 2016. She has also founded the Fides Cuyugan Asensio Institute of Music and Arts, which foster learning and love for the arts among students of all ages.






Citation: Fides Cuyugan Asensio written by Roland Raymond Roldan on August 12, 2015, (commissioned by the Cultural Center of the Philippines)

CITATION


FIDES CUYUGAN ASENSIO, soprano, actress, music theatre producer, librettist, voice teacher par excellence leads a generation of music theatre artists in more than half a century, espousing fervour for the performing arts, advocating values of artistry, feminism and nationalism in her performances, productions and written works. 


Her career spanning more than sixty years, Fides is a recipient of various awards and honors, among them Doctor of Humanities, honoris causa conferred by the Philippine Women’s University; Gawad Buhay Award Philstage 2013; Gawad Siglo ng Aliw, 1999 Aliw Awards Foundation; Best Musical Show Host, 1994 Star Awards, Philippine Movie Press Club; and Asia Opera Award, Seoul, South Korea 1990 and 1993. 


She is the first Filipino  accepted in the prestigious Curtis Institute of Music, and has garnered praise in her performances of Giancarlo Menotti's The Telephone, Gaetano Donizetti's  Lucia di Lamermoor, and Ramon Santos' Mapulang Bituin, Eliseo Pajaros' Binhi ng Kalayaan, Lucresia Kasilag's Dularawan, and Felipe de Leon's  Noli Me Tangere. 


Fides also easily wears various hats as director of Hansel and Gretel, Il Segreto di Susanna, L'Enfant Prodigue, La Serva Perdona, Tales of Hoffman, Larawan ng Himagsikan,  Romeo and Juliet and Don Giovanni; as television host to shows Sunday Sweet Sunday and A Little Night of Music;  and as actress in movies Mana,  Aparisyon, Nino and Oro, Plata, Mata. 


As librettist, she worked with composers of varying musical disciplines, with Larawan at Kababaihan: Mukha at Maskara and Why Flowers Bloom in May by Lucrecia Kasilag; Spoliarium by Ryan Cayabyab; Mayo Bisperas ng Liwanag by Rey Paguio; Song of Joseph and Legend of M: Marya Makiling at Mga Nuno sa Punso by Raymond and Jeannelle Roldan; and La Loba Negra, by Francisco Feliciano.


As a teacher of voice she mentored opera singers, theatre artists and music personalities Margarita Yulo-Gomez, Camille Lopez-Molina, Andion Fernandez, Johanna Cabili, Lemuel Cuento, Jonathan Badon, Nazer Salcedo, Marvin Gayramon, Emily Britanico-Morales, Luz Tolentino, Karla Gutierrez, Ana Feleo and Lara Maigue, to name a few.


 The Gawad CCP para sa Sining (Music) is given on this 16th of September 2015 to Fides Cuyugan Asensio.






EREHWON: UPLIFTING THE HUMAN SPIRIT THROUGH ART by Raymond Roldan

EREHWON: UPLIFTING THE HUMAN SPIRIT THROUGH ART
by Raymond Roldan

The Erehwon Center for the Arts remains steadfast in its commitment to uplift the human spirit despite the onset of many trials that beset the world today. Through collaboration, camaraderie and cooperation, art in its various forms merge into a consolidated initiative to inspire, hone and propagate artistic values for the benefit of both artists and art lovers.

Reinventing itself as Quezon City’s emerging cultural center, Erehwon has transformed from being a former factory into a hub for activities that celebrate the visual arts, performing arts, music, literature and film. It moves to strengthen art as a means of communication and understanding among peoples throughout our contemporary world.

It is through Erehwon's constant support of collaboration between artists of diverse disciplines and genres that untapped sectors of our society are nourished with works of art that are readily understood by the common man.

As a "living hub" and center of the arts in the Philippines, Erehwon's devotion for the arts brings together the camaraderie of artistic energies of Filipinos and artists around the globe, offering a space which will provide a multi-sided colloquium of artists eager to advance art to a new and higher level. 

Through the spirit of cooperation, various art genres are bound together not only by the goal of finding a venue, but also making such art available to the masses- a collage of images that reflect the cultural milieu of the common man seen through the various levels of society.

Through these efforts, Erehwon continues to usher in with renewed vigor the vision that has sustained a dream of a nation: to able to recognize itself for what was, what has become and what promises to be, a uniquely Filipino cultural identity that remains distinct and indomitable in the midst of the turmoil that beset the first quarter of the twenty-first century.